As opposed to Bond’s race being a neutral character-or Bond’s actions not being motivated by race, as Matt Miller asserts-it seems fairer to say that Bond’s whiteness was inevitable, considering the era and culture that birthed him.īond debuted in Casino Royale, published in 1954 by former British Naval Officer Ian Fleming. Although reflexive resistance to casting Elba, or any non-white performer, tends to be rooted in racism, it's not accurate to say that it doesn't matter whether Bond is white. Bond’s race is indeed a part of the character, and a key bit of context necessary for understanding how he functions. We should begin by enthusiastically stating that, in the character's earliest incarnations-on the page as well as in the first few decades of films-it made a world of sense for Bond to be white. You could even say that it's what the Bond series has been building towards, as it strove to infuse stories with political details drawn from recent headlines while making Bond seem like even more of an outsider than he did already. ![]() ![]() And if you look at how Bond and the franchise have evolved over the last two decades, you'll see that this wouldn't be an arbitrary change, but an evolutionary one.
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